Colia took the prince to a public-house in the Litaynaya, not far off. In one of the side rooms there sat at a table--looking like one of the regular guests of the establishment--Ardalion Alexandrovitch, with a bottle before him, and a newspaper on his knee. He was waiting for the prince, and no sooner did the latter appear than he began a long harangue about something or other; but so far gone was he that the prince could hardly understand a word.

She was astonished and vexed, and her disappointment pleased Colia immensely. Of course he could have undeceived her before she started, but the mischievous boy had been careful not to do that, foreseeing the probably laughable disgust that she would experience when she found her dear friend, the prince, in good health. Colia was indelicate enough to voice the delight he felt at his success in managing to annoy Lizabetha Prokofievna, with whom, in spite of their really amicable relations, he was constantly sparring.

“Ah! now you begin to moralize! I know that I am only a child, very well,” replied Gania impatiently. “That is proved by my having this conversation with you. It is not for money only, prince, that I am rushing into this affair,” he continued, hardly master of his words, so closely had his vanity been touched. “If I reckoned on that I should certainly be deceived, for I am still too weak in mind and character. I am obeying a passion, an impulse perhaps, because I have but one aim, one that overmasters all else. You imagine that once I am in possession of these seventy-five thousand roubles, I shall rush to buy a carriage... No, I shall go on wearing the old overcoat I have worn for three years, and I shall give up my club. I shall follow the example of men who have made their fortunes. When Ptitsin was seventeen he slept in the street, he sold pen-knives, and began with a copeck; now he has sixty thousand roubles, but to get them, what has he not done? Well, I shall be spared such a hard beginning, and shall start with a little capital. In fifteen years people will say, ‘Look, that’s Ivolgin, the king of the Jews!’ You say that I have no originality. Now mark this, prince--there is nothing so offensive to a man of our time and race than to be told that he is wanting in originality, that he is weak in character, has no particular talent, and is, in short, an ordinary person. You have not even done me the honour of looking upon me as a rogue. Do you know, I could have knocked you down for that just now! You wounded me more cruelly than Epanchin, who thinks me capable of selling him my wife! Observe, it was a perfectly gratuitous idea on his part, seeing there has never been any discussion of it between us! This has exasperated me, and I am determined to make a fortune! I will do it! Once I am rich, I shall be a genius, an extremely original man. One of the vilest and most hateful things connected with money is that it can buy even talent; and will do so as long as the world lasts. You will say that this is childish--or romantic. Well, that will be all the better for me, but the thing shall be done. I will carry it through. He laughs most, who laughs last. Why does Epanchin insult me? Simply because, socially, I am a nobody. However, enough for the present. Colia has put his nose in to tell us dinner is ready, twice. I’m dining out. I shall come and talk to you now and then; you shall be comfortable enough with us. They are sure to make you one of the family. I think you and I will either be great friends or enemies. Look here now, supposing I had kissed your hand just now, as I offered to do in all sincerity, should I have hated you for it afterwards?”

“No, I don’t think that. I know you don’t love me.”

Hippolyte had now been five days at the Ptitsins’. His flitting from the prince’s to these new quarters had been brought about quite naturally and without many words. He did not quarrel with the prince--in fact, they seemed to part as friends. Gania, who had been hostile enough on that eventful evening, had himself come to see him a couple of days later, probably in obedience to some sudden impulse. For some reason or other, Rogojin too had begun to visit the sick boy. The prince thought it might be better for him to move away from his (the prince’s) house. Hippolyte informed him, as he took his leave, that Ptitsin “had been kind enough to offer him a corner,” and did not say a word about Gania, though Gania had procured his invitation, and himself came to fetch him away. Gania noticed this at the time, and put it to Hippolyte’s debit on account.

“She seems always to be searching about, as if she had lost something. The mere idea of her coming marriage disgusts her; she looks on it as an insult. She cares as much for _him_ as for a piece of orange-peel--not more. Yet I am much mistaken if she does not look on him with fear and trembling. She forbids his name to be mentioned before her, and they only meet when unavoidable. He understands, well enough! But it must be gone through. She is restless, mocking, deceitful, violent....”

All laughed again.

Another thought tormented him: He wondered was this an arranged business--arranged to happen when he had guests in his house, and in anticipation of his humiliation rather than of his triumph? But he reproached himself bitterly for such a thought, and felt as if he should die of shame if it were discovered. When his new visitors appeared, he was quite ready to believe himself infinitely less to be respected than any of them.

“Probably an honest girl living by her own toil. Why do you speak of a housemaid so contemptuously?”

“I didn’t say right out who I was, but Zaleshoff said: ‘From Parfen Rogojin, in memory of his first meeting with you yesterday; be so kind as to accept these!’

Our friend, Gania, belonged to the other class--to the “much cleverer” persons, though he was from head to foot permeated and saturated with the longing to be original. This class, as I have said above, is far less happy. For the “clever commonplace” person, though he may possibly imagine himself a man of genius and originality, none the less has within his heart the deathless worm of suspicion and doubt; and this doubt sometimes brings a clever man to despair. (As a rule, however, nothing tragic happens;--his liver becomes a little damaged in the course of time, nothing more serious. Such men do not give up their aspirations after originality without a severe struggle,--and there have been men who, though good fellows in themselves, and even benefactors to humanity, have sunk to the level of base criminals for the sake of originality).

“Indeed? She looks very sweet. I should like to make her acquaintance.”